Glass Cathedrals: faith, rebuilt by hand

Glass Cathedrals begins at the “Exit Signs” of an inherited worldview — rigid, echoing, too heavy to keep holding up. The protagonist walks out, and the album follows what gets built next.

What replaces the institution isn’t emptiness; it’s people. “ALTAR.GLOW” finds liturgy in late-night kitchens. “Drywall Hymn” consecrates a first apartment. The “Glass Cathedral” of the title is fragile on purpose — a faith you can see through, built from vulnerability instead of certainty.

Sacred secularism, DannyHO style: the divine relocated to wherever two people are honest at the same time. The heavy door stays open behind them.